I wish I could say I am going to miss you, but I would be lying.
Will 2021 be better? I sure hope so. But I woke up this morning to an ice storm, tree limbs across the driveway, news that someone has fraudulently claimed unemployment benefits on my hubby’s behalf, power outages, a finicky generator….sigh….
Not off to a great start….
On the other hand, my family is with me at home, safe and healthy. The power is currently on. (Yay!) Relationships in my extended family have been going through some much needed healing, praise God! And I have had the privilege to spend the last year creating art I love in a space I love.
I’m not really one to set New Year’s resolutions, but the quiet that comes after the bustle of the holiday season, especially on a day like today with snow falling onto a hushed world, lends itself to a little introspection.
I look back at what I have spent my time on this last year: caring for my family, homeschooling, music-making, painting.
But if I’m honest, I’ve also spent significant time and energy worrying, wondering, trying to discern, trying to control, trying to adjust, trying to let go.
As I reflect on the changes I have seen in our world in 2020, I hold on to the conviction that I want to do more of what brings light and life into this world.
I think that as artists we have a responsibility to share, to teach, to steward, and by doing those things, to love.
To that end, I thought I would share a little bit about some of my paintings from 2020–what I like about them, why I painted them, and what I learned from painting them.
First up: Pathways No. 1, pastel
Pathways is the genesis of a series of paintings I definitely plan to continue. They are experimental in nature. The scene is from my imagination and represents more of a “mood” than a place.
When I was painting Pathways No. 1, I wanted it to be moody, bleak, brooding, and a little uneasy because that’s how I was feeling. It was a sunny spring day when I painted it—incongruous to my emotions and a world in lockdown—and I needed to see the physical expression of my emotions.
Painting No. 1 was cathartic in many ways, and I remember feeling lighter, freer, and exhilarated as I stepped out the door of my studio when it was finished.
It’s one of those painting that I will never sell because it’s like a journal entry. I painted it just for me.
Next: Pathways No. 2, pastel
By the time Pathways No. 2 came along (above), I was looking for the challenge of creating something of a nocturne.
I strove to capture the sense of it being late in the day when the last light of a stunning sunset is leaving the sky—the time when you can still make out the slightest hints of the colors that flood the landscape during the day before they are lost to the night and your eyes can no longer discern them.
This painting reminds me that we can’t bottle time and we can’t hold on to light. We can only enjoy each fleeting moment and be grateful.
I will keep this blog posted when I paint the next in this series…
Next up: Golden Pines, pastel
Golden Pines was one of those paintings which seemed to paint itself. It didn’t take me long to paint, and it taught me that often simpler is better.
My goal was to capture the low angled sunshine hitting the pine tree trunks late on a winter day. As I look at the photo today, I can see a few things I would tweak. You might think that would make me unhappy, but it actually makes me excited. To me it means I am growing as an artist!
Next: Daisy Delights, acrylic on canvas
Daisy Delights was a delight to paint! (sorry… 😉
This painting seemed to scratch an itch I had to work with thick, impasto strokes of heavy bodied paint—something which is nearly impossible with soft pastels alone. I love the rich tones I could produce which make the painting seem to glow from within.
It was my first acrylic painting AND the first painting I had ever completed entirely with a palette knife—very freeing!
I completed Daisy Delights after viewing the channel “Palette Knife Painting Tutorials” on Youtube. Check it out if you are interested in seeing a how to.
Next: Bunny, watercolor and pen
Oh, that sweet little bunny! I saw the reference photo of this little guy on the line-of-action website I have referenced in a previous post. (I could not find a photographer’s name to credit the photo to, but it is not my own.)
There was just something about his pose and the softness of his fur that just begged to be put into a line and wash type of watercolor.
I love this kind of sketchy, loose look. And who doesn’t love a good scribble???
But my favorite touch was using a pen with watersoluble ink to make a border box. I loved touching the edge of the ink with a water brush to see it bloom and create a loose frame. I am now incorporating that technique to add tone to sketches. But more about that another time.
Next: Squirrel! pastel
Not too much to say about this furry critter except that sometimes a good painting comes out of experimentation and a letting go attitude—at least this one did! My hubby loves it so much he insisted we hang it in the house.
And finally: unnamed painting after Les Darlow, pastel
I wanted to include this pastel painting mainly because it was a huge departure for me. I painted it mostly with Pan Pastels, finely ground pastel in pan containers which are applied with sponges and other tools.
I painted this after viewing a demo by Les Darlow on Youtube—a search will bring it up easily.
I had used pans before mainly as an underpainting, but never to this extent. This painting does have stick pastel applied, mainly in the highlighted areas, and a little marker work in the treeline. Again, lots of experimentation for me, and I love the skyscapes pans let you achieve.
Well, that’s it! I hope you enjoyed browsing through some of my favorite paintings of the year and hearing my thoughts on each.
I pray you are well and will strive along with me to continue developing your creative side as we walk into this new year!
Till next time!